Instead, you’re stuck with that one joke throughout most of the story. That is the point the character you’re playing as is hilariously out of touch, but Shakedown: Hawaii never evolves. Large day one patches and console UI advertisements deserve to be heavily scrutinized, so too do egregious store-specific credit cards, but most of the jokes here are simply of the “old man yelling at a cloud” variety. That tiny shop? You’re going to burn it down to the ground.Ī lot of the jabs here are fair game. That lovely-looking brick wall? You’re going to drive right through it. Most of the game’s gorgeous objects also have numerous states as you’ll inevitably destroy them at some point during your playthrough. There’s no denying the attention to detail here. Civilians stroll around taking selfies, streets are filled with varied NPCs, trees sway and puddles cut as you drive through them. While a pixel-art world will never be as immersive as the fully 3-D landscapes of Red Dead or GTA, Hawaii’s compact world is so detail-rich that you could imagine being there.įine details are plentiful: every corner of 16-bit Hawaii has something to gawp at, even if you’re just flattening pedestrians on your way to a mission. While Rampage’s 8-bit visuals were appropriately amiable, Hawaii instead opts for a gorgeously detailed 16-bit aesthetic. Unfortunately, it never hits the gold standard that was set before it.įrom a purely presentational standpoint, Shakedown: Hawaii is vastly superior to its predecessor. After years of delays and an even longer development, you’d hope that Rampage’s successor Shakedown: Hawaii would be a grand return for VBlank. in short, pretty much everything you’d want in a video game. Featuring everything from high-octane action to time-travelling shenanigans, it was a game that got everything right. VBlank Entertainment’s Retro City Rampage was a remarkable indie jab at video game giant Grand Theft Auto.
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